有谁可以帮我找《双城记》的读书笔记?要英文的,200~300字!只要初中的看的懂就行了!有高手可以自己打出来也行...也可以是《简爱》,《傲慢与偏见》……

有谁可以帮我找《双城记》的读书笔记?要英文的,200~300字!只要初中的看的懂就行了!有高手可以自己打出来也行...也可以是《简爱》,《傲慢与偏见》……
有谁可以帮我找《双城记》的读书笔记?要英文的,200~300字!
只要初中的看的懂就行了!
有高手可以自己打出来也行...
也可以是《简爱》,《傲慢与偏见》……

有谁可以帮我找《双城记》的读书笔记?要英文的,200~300字!只要初中的看的懂就行了!有高手可以自己打出来也行...也可以是《简爱》,《傲慢与偏见》……
"A Tale of Two Cities" by Charles Dickens is one of the most important representatives. As early as in creating "A Tale of Two Cities" long before Dickens on the great concern of the French Revolution, the British historian Carlisle repeatedly reading the "History of the French Revolution" and the works of other scholars. He's very interested in the French Revolution began in the United Kingdom at that time lurks a serious social crisis worries. By the end of 1854, he said: "I believe that the discontent was smoke than fire like this up to much worse, particularly as the first revolution in France before the outbreak of the public psychology, which is dangerous, because Qianbaichong reasons -- If poor harvests, the nobility of a domineering and can not already tense situation the last step up, the loss of war overseas and domestic unforeseen events, and so on - that have never seen turned into a terrible fire. "visible , "A Tale of Two Cities" this historical novels Jiegufengjin creative motivation is to experience the history of the French Revolution to refer to the British ruling class sounded the alarm at the same time, through the revolution about the extreme terror, but also to harbor resentment , a violent confrontation希图tyranny of the masses warned that the illusion of the ever-deepening social contradictions British status quo finding a way out. Starting from this novel profoundly exposed before the French Revolution intensified the deep social contradictions, strongly criticized the nobility Huangyan brutal and deeply sympathize with the suffering of the people of the lower deck. Works pointedly noted that the people's patience is limited and in the nobility of brutal rule, the masses of the people forced livelihoods, to resist the inevitable. Such resistance is just. Fiction also depicts an uprising at the end of the bus attack, such as the spectacular scenes of the prison, demonstrated the great strength of the masses of the people. However, the author of humanitarian stand on the position of the bourgeoisie, that is, to oppose the tyranny of the people to oppression, the people are opposed to the revolution against tyranny of violence. Dickens works in the whole revolution was portrayed as a destruction of all the great disaster, which mercilessly punish evil nobility, but also blindly killing innocent people. The novel shape of the three figures. Efulimeng a class is represented by the Marquis brothers of the feudal aristocracy, "the only unshakeable philosophy is oppression," the author is the subject of pain and lashing. The other is his wife, and others in cutting-revolutionary masses. What must be pointed out is that their image is being distorted. For example, a cutting-wife Dianna, she was born in the humiliation, persecution households, with a hatred of the feudal aristocracy, the author deeply sympathize with her plight, before and after the outbreak of the revolution really appreciate her strong personality, talents and excellence extraordinary organization and leadership ability, but when the revolution further, the Bi a turn, her denigration as a cold-blooded, vicious, narrow-minded Avenger. Especially when she went to the home arrest doctors and cul-de-sac road Qian Qian, even for the performance of the bloodthirsty madman. Finally, the author let her die in their own gunpoint, made it clear that a negative attitude. The third category is an idealized figure, the eyes of the author is a humanitarian resolve social contradictions, to the example of love to overcome hatred, including Meinite father, and Mina, such as Lao Lei and Calden. Marquis Meinite doctors were brothers which put breakup of the Marquis brothers have hatred, but to his daughter's love, hate can discard old Qiu Ju; derna Marquis is the Zizhi brothers, he Dachedaiwu condemning their own family the evil and abandon the title, and property, and determined to his own actions in "atonement." This figure embraced each other, one of the victims of aristocratic tyranny, tolerance Wye; an aristocratic Marquis is the successor to, and caring advocate. Among them, more as a daughter and his wife's Road Ure. In the love of maintaining the link, they form a mutual understanding and friendly feelings the well-being of families. This is obviously the author envisaged a violent revolution and the complete opposite of the way to resolve social contradictions, is unrealistic. "A Tale of Two Cities" has its place different from the general historical novels, and its main characters and plot are fictional. In the real French Revolution broad background, the author of the fictional characters Meinite experienced doctors mainly leads to miscarriage of justice, and love and revenge three mutually independent and interrelated stories are intertwined, intricate plot, amid a clue. Author Daoxu taken inserted Syria, hints, techniques such as pave the way to novel structural integrity of tight, tense plot twists and turns and dramatic, showing excellent artistic skills. "A Tale of Two Cities" style silence, depressed, full of Youfen, but the lack of early works of humor.
中文如下：
《双城记》是狄更斯最重要的代表作之一.早在创作《双城记》之前很久,狄更斯就对法国大革命极为关注,反复研读英国历史学家卡莱尔的《法国革命史》和其他学者的有关著作.他对法国大革命的浓厚兴趣发端于对当时英国潜伏着的严重的社会危机的担忧.1854年底,他说：“我相信,不满情绪像这样冒烟比火烧起来还要坏得多,这特别像法国在第一次革命爆发前的公众心理,这就有危险,由于千百种原因——如收成不好、贵族阶级的专横与无能把已经紧张的局面最后一次加紧、海外战争的失利、国内偶发事件等等——变成那次从未见过的一场可怕的大火.”可见,《双城记》这部历史小说的创作动机在于借古讽今,以法国大革命的历史经验为借鉴,给英国统治阶级敲响警钟；同时,通过对革命恐怖的极端描写,也对心怀愤懑、希图以暴力对抗暴政的人民群众提出警告,幻想为社会矛盾日益加深的英国现状寻找一条出路. 从这个目的出发,小说深刻地揭露了法国大革命前深深激化了的社会矛盾,强烈地抨击贵族阶级的荒淫残暴,并深切地同情下层人民的苦难.作品尖锐地指出,人民群众的忍耐是有限度的,在贵族阶级的残暴统治下,人民群众迫于生计,必然奋起反抗.这种反抗是正义的.小说还描绘了起义人民攻击巴士底狱等壮观场景,表现了人民群众的伟大力量.然而,作者站在资产阶级人道主义的立场上,即反对残酷压迫人民的暴政,也反对革命人民反抗暴政的暴力.在狄更斯笔下,整个革命被描写成一场毁灭一切的巨大灾难,它无情地惩罚罪恶的贵族阶级,也盲目地杀害无辜的人们. 这部小说塑造了三类人物.一类是以厄弗里蒙地侯爵兄弟为代表的封建贵族,他们“唯一不可动摇的哲学就是压迫人”,是作者痛加鞭挞的对象.另一类是得伐石夫妇等革命群众.必须指出的是,他们的形象是被扭曲的.例如得伐石的妻子狄安娜,她出生于被侮辱、被迫害的农家,对封建贵族怀着深仇大恨,作者深切地同情她的悲惨遭遇,革命爆发前后很赞赏她坚强的性格、卓越的才智和非凡的组织领导能力；但当革命进一步深入时,就笔锋一转,把她贬斥为一个冷酷、凶狠、狭隘的复仇者.尤其是当她到医生住所搜捕路茜和小路茜时,更被表现为嗜血成性的狂人.最后,作者让她死在自己的枪口之下,明确地表示了否定的态度.第三类是理想化人物,是作者心目中以人道主义解决社会矛盾、以博爱战胜仇恨的榜样,包括梅尼特父女、代尔纳、劳雷和卡尔登等.梅尼特医生被侯爵兄弟害得家破人亡,对侯爵兄弟怀有深仇大恨,但是为了女儿的爱,可以摒弃宿仇旧恨；代尔纳是侯爵兄弟的子侄,他大彻大悟,谴责自己家族的罪恶,抛弃爵位和财产,决心以自己的行动来“赎罪”.这对互相辉映的人物,一个是贵族暴政的受害者,宽容为怀；一个是贵族侯爵的继承人,主张仁爱.他们中间,更有作为女儿和妻子的路茜.在爱的纽带的维系下,他们组成一个互相谅解、感情融洽的幸福家庭.这显然是作者设想的一条与暴力革命截然相反的解决社会矛盾的出路,是不切实际的. 《双城记》有其不同于一般历史小说的地方,它的人物和主要情节都是虚构的.在法国大革命广阔的真实背景下,作者以虚构人物梅尼特医生的经历为主线索,把冤狱、爱情与复仇三个互相独立而又互相关联的故事交织在一起,情节错综,头绪纷繁.作者采取倒叙、插叙、伏笔、铺垫等手法,使小说结构完整严密,情节曲折紧张而富有戏剧性,表现了卓越的艺术技巧.《双城记》风格肃穆、沉郁,充满忧愤,但缺少早期作品的幽默.