介绍意大利还有威尼斯的英语文章文字多少不要紧,简单一点好.紧急紧急!重点介绍威尼斯,文化等.

介绍意大利还有威尼斯的英语文章文字多少不要紧,简单一点好.紧急紧急!重点介绍威尼斯,文化等.
介绍意大利还有威尼斯的英语文章
文字多少不要紧,简单一点好.紧急紧急!
重点介绍威尼斯,文化等.

介绍意大利还有威尼斯的英语文章文字多少不要紧,简单一点好.紧急紧急!重点介绍威尼斯,文化等.
A city of northeast Italy on islets within a lagoon in the Gulf of Venice, a wide inlet of the northern Adriatic Sea. Founded in the 5th century a.d. by refugees fleeing the Lombard invaders who had gained control of the mainland, it became a major maritime power by the 13th century and spread its influence over northern Italy by the 15th century. Its territories were gradually lost to the Turks, and in 1797 it passed to Austria. Venice was ceded to Italy in 1866. Population, 332,775.
威尼斯：意大利东北部的一个城市,位于亚得里亚海北部的一个宽阔的海湾威尼斯湾 里的一个泻湖内的众多小岛上.它在 公元 5世纪由逃离伦巴族侵略者的难民创建,这些侵略者已获得对大陆的控制权,到13世纪它已成为一个主要的海上强国并于15世纪把其影响扩及意大利的北部.它的领土后来逐渐为土耳其人所攻陷,并于1797年转让给了奥地利.威尼斯在1866年并入了意大利.人口332,775.
Visiting Venice, Italy
Nobody arrives in Venice and sees the city for the first time. Depicted and described so often that its image has become part of the European collective consciousness, Venice can initially create the slightly anticlimactic feeling that everything looks exactly as it should. The water-lapped palaces along the Canal Grande are just as the brochure photographs made them out to be, Piazza San Marco does indeed look as perfect as a film set, and the panorama across the water from the Palazzo Ducale is precisely as Canaletto painted it. The sense of familiarity soon fades, however, as details of the scene begin to catch the attention - an ancient carving high on a wall, a boat being manoeuvred round an impossible corner, a tiny shop in a dilapidated building, a waterlogged basement. And the longer one looks, the stranger and more intriguing Venice becomes.
Founded fifteen hundred years ago on a cluster of mudflats in the centre of the lagoon, Venice rose to become Europe's main trading post between the West and the East, and at its height controlled an empire that spread north to the Dolomites and over the sea as far as Cyprus. As its wealth increased and its population grew, the fabric of the city grew ever more dense. Very few parts of the hundred or so islets that compose the historic centre are not built up, and very few of its closely knit streets bear no sign of the city's long lineage. Even in the most insignificant alleyway you might find fragments of a medieval building embedded in the wall of a house like fossil remains lodged in a cliff face.
The melancholic air of the place is in part a product of the discrepancy between the grandeur of its history and what the city has become. In the heyday of the Venetian Republic, some 200,000 people lived in Venice, not far short of three times its present population. Merchants from Germany, Greece, Turkey and a host of other countries maintained warehouses here; transactions in the banks and bazaars of the Rialto dictated the value of commodities all over the continent; in the dockyards of the Arsenale the workforce was so vast that a warship could be built and fitted out in a single day; and the Piazza San Marco was perpetually thronged with people here to set up business deals or report to the Republic's government. Nowadays it's no longer a living metropolis but rather the embodiment of a fabulous past, dependent for its survival largely on the people who come to marvel at its relics.
The monuments which draw the largest crowds are the Basilica di San Marco - the mausoleum of the city's patron saint - and the Palazzo Ducale - the home of the doge and all the governing councils. Certainly these are the most dramatic structures in the city: the first a mosaic-clad emblem of Venice's Byzantine origins, the second perhaps the finest of all secular Gothic buildings. Every parish rewards exploration, though - a roll-call of the churches worth visiting would feature over fifty names, and a list of the important paintings and sculptures they contain would be twice as long. Two of the distinctively Venetian institutions known as the Scuole retain some of the outstanding examples of Venice Renaissance art - the Scuola di San Rocco , with its dozens of pictures by Tintoretto, and the Scuola di San Giorgio degli Schiavoni , decorated with a gorgeous sequence by Carpaccio.
Although many of the city's treasures remain in the buildings for which they were created, a sizeable number have been removed to one or other of Venice's museums. The one that should not be missed is the Accademia , an assembly of Venetian painting that consists of virtually nothing but masterpieces; other prominent collections include the museum of eighteenth-century art in the Ca' Rezzonico and the Museo Correr , the civic museum of Venice - but again, a comprehensive list would fill a page.
Then, of course, there's the inexhaustible spectacle of the streets themselves, of the majestic and sometimes decrepit palaces, of the hemmed-in squares where much of the social life of the city is conducted, of the sunlit courtyards that suddenly open up at the end of an unpromising passageway. The cultural heritage preserved in the museums and churches is a source of endless fascination, but you should discard your itineraries for a day and just wander - the anonymous parts of Venice reveal as much of the city's essence as the highlighted attractions. Equally indispensible for a full understanding of Venice's way of life and development are expeditions to the northern and southern islands of the lagoon, where the incursions of the tourist industry are on the whole less obtrusive.
Venice's hinterland - the Veneto - is historically and economically one of Italy's most important regions. Its major cities - Padua , Vicenza and Verona - are all covered in the guide, along with many of the smaller towns located between the lagoon and the mountains to the north. Although rock-bottom hotel prices are rare in the affluent Veneto, the cost of accommodation on the mainland is appreciably lower than in Venice itself, and to get the most out of the less accessible sights of the Veneto it's definitely necessary to base yourself for a day or two somewhere other than Venice - perhaps in the northern town of Belluno or in the more central Castelfranco
venice的过去现在和未来
The city was founded as a result of the influx of refugees into the marshes of the Po estuary following the invasion of northern Italy by the Lombards in 568. In the mid-8th century, the Venetians resisted the empire-building efforts of Pepin III and remained subject to Byzantium, at least theoretically. As the community continued to develop and as Byzantine power waned, however, an increasingly anti-Eastern character emerged, leading to the growth of autonomy and eventual independence. Venice was a city state (an Italian thalassocracy or Repubblica Marinara, the other three being Genoa, Pisa, and Amalfi). Its strategic position at head of the Adriatic made Venetian naval and commercial power almost invulnerable.
The Republic of Venice seized the eastern shores of the Adriatic before 1200, mostly for commercial reasons, because pirates based there were a menace to trade. The Doge already carried the titles Duke of Dalmatia and Duke of Istria. Later mainland possessions, which extended across Lake Garda as far west as the River Adda, were known as "Terra Firma", and were acquired partly as a buffer against beligerent neighbors, partly to guarantee Alpine trade routes, and partly to ensure the supply of mainland wheat, on which the city depended. In building its maritime commercial empire, the Republic acquired control of most of the islands in the Aegean, including Crete, and became a major power-broker in the Near East. By the standards of the time, Venice's stewardship of its mainland territories was relatively enlightened and the citizens of such towns as Bergamo, Brescia, and Verona rallied to the defence of Venetian sovereignty when it was threatened by invaders.
Venice became an imperial power following the Fourth Crusade, which (with Venetian aid) seized Constantinople in 1204 and established the Latin Kingdom of Jerusalem. Only Venetian ships could efficiently transport the men, supplies, and (especially) war horses.
The Venetian governmental structure was a mix of Byzantine and Islamic systems, but the social order was entirely feudal. Church and various private properties were tied to military service, though there was no knight tenure within the city itself. The Cavalieri di San Marco was the only order of chivalry ever instituted in Venice, and no citizen could accept or join a foreign order without the government’s consent. Venice remained a republic throughout its independent period and politics and the military were kept completely separate. War was regarded as a continuation of commerce by other means (hence, the city's early production of large numbers of mercenaries for service elsewhere).
The chief executive was the Doge (duke), who, theoretically, held his elective office for life. In practice, a number of Doges were forced by pressure from their oligarchical peers to resign the office and retire into monastic seclusion when they were felt to have been discredited by perceived political failure.
Though the people of Venice generally remained orthodox Roman Catholics, the state of Venice was notable for its freedom from religious fanaticism and it enacted not a single execution for religious heresy during the Counter-Reformation. This apparent lack of zeal contributed to its frequently coming into conflict with the Papacy. Venice was threatened with the interdict on a number of occasions and twice suffered its imposition. The second, more famous, occasion was on April 27, 1509, by order of Pope Julius II (see League of Cambrai).
Venetian ambassadors sent home still-extant secret reports of the politics and rumours of European courts, providing fascinating information to modern historians.
After 1070 years, the Republic lost its independence when Napoleon Bonaparte on May 12, 1797, conquered Venice during the First Coalition. The French conqueror brought to an end the most fascinating century of its history: It was during the "Settecento" that Venice became perhaps the most elegant and refined city in Europe, greatly influencing art, architecture, and literature. Napoleon was seen as something of a liberator by the city's Jewish population. He removed the gates of the Ghetto and ended the restrictions on when and where Jews could live and travel in the city.
Venice became part of the Austrian-held Kingdom of Lombardy-Venetia when Napoleon signed the Treaty of Campo Formio on October 12 1797. The Austrians took control of the city on January 18, 1798. It was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy, but was returned to Austria following Napoleon's defeat in 1814. In 1866, along with the rest of Venetia, Venice became part of Italy. After 1797, the city fell into a serious decline, with many of the old palaces and other buildings abandoned and falling into disrepair, although the Lido became a popular beach resort in the late 19th century.
回答者：那如此三四三天 - 经理 五级 4-2 12:08
A city of northeast Italy on islets within a lagoon in the Gulf of Venice, a wide inlet of the northern Adriatic Sea. Founded in the 5th century a.d. by refugees fleeing the Lombard invaders who had gained control of the mainland, it became a major maritime power by the 13th century and spread its influence over northern Italy by the 15th century. Its territories were gradually lost to the Turks, and in 1797 it passed to Austria. Venice was ceded to Italy in 1866. Population, 332,775.
威尼斯：意大利东北部的一个城市,位于亚得里亚海北部的一个宽阔的海湾威尼斯湾 里的一个泻湖内的众多小岛上.它在 公元 5世纪由逃离伦巴族侵略者的难民创建,这些侵略者已获得对大陆的控制权,到13世纪它已成为一个主要的海上强国并于15世纪把其影响扩及意大利的北部.它的领土后来逐渐为土耳其人所攻陷,并于1797年转让给了奥地利.威尼斯在1866年并入了意大利.人口332,775.
Visiting Venice, Italy
Nobody arrives in Venice and sees the city for the first time. Depicted and described so often that its image has become part of the European collective consciousness, Venice can initially create the slightly anticlimactic feeling that everything looks exactly as it should. The water-lapped palaces along the Canal Grande are just as the brochure photographs made them out to be, Piazza San Marco does indeed look as perfect as a film set, and the panorama across the water from the Palazzo Ducale is precisely as Canaletto painted it. The sense of familiarity soon fades, however, as details of the scene begin to catch the attention - an ancient carving high on a wall, a boat being manoeuvred round an impossible corner, a tiny shop in a dilapidated building, a waterlogged basement. And the longer one looks, the stranger and more intriguing Venice becomes.
Founded fifteen hundred years ago on a cluster of mudflats in the centre of the lagoon, Venice rose to become Europe's main trading post between the West and the East, and at its height controlled an empire that spread north to the Dolomites and over the sea as far as Cyprus. As its wealth increased and its population grew, the fabric of the city grew ever more dense. Very few parts of the hundred or so islets that compose the historic centre are not built up, and very few of its closely knit streets bear no sign of the city's long lineage. Even in the most insignificant alleyway you might find fragments of a medieval building embedded in the wall of a house like fossil remains lodged in a cliff face.
The melancholic air of the place is in part a product of the discrepancy between the grandeur of its history and what the city has become. In the heyday of the Venetian Republic, some 200,000 people lived in Venice, not far short of three times its present population. Merchants from Germany, Greece, Turkey and a host of other countries maintained warehouses here; transactions in the banks and bazaars of the Rialto dictated the value of commodities all over the continent; in the dockyards of the Arsenale the workforce was so vast that a warship could be built and fitted out in a single day; and the Piazza San Marco was perpetually thronged with people here to set up business deals or report to the Republic's government. Nowadays it's no longer a living metropolis but rather the embodiment of a fabulous past, dependent for its survival largely on the people who come to marvel at its relics.
The monuments which draw the largest crowds are the Basilica di San Marco - the mausoleum of the city's patron saint - and the Palazzo Ducale - the home of the doge and all the governing councils. Certainly these are the most dramatic structures in the city: the first a mosaic-clad emblem of Venice's Byzantine origins, the second perhaps the finest of all secular Gothic buildings. Every parish rewards exploration, though - a roll-call of the churches worth visiting would feature over fifty names, and a list of the important paintings and sculptures they contain would be twice as long. Two of the distinctively Venetian institutions known as the Scuole retain some of the outstanding examples of Venice Renaissance art - the Scuola di San Rocco , with its dozens of pictures by Tintoretto, and the Scuola di San Giorgio degli Schiavoni , decorated with a gorgeous sequence by Carpaccio.
Although many of the city's treasures remain in the buildings for which they were created, a sizeable number have been removed to one or other of Venice's museums. The one that should not be missed is the Accademia , an assembly of Venetian painting that consists of virtually nothing but masterpieces; other prominent collections include the museum of eighteenth-century art in the Ca' Rezzonico and the Museo Correr , the civic museum of Venice - but again, a comprehensive list would fill a page.
Then, of course, there's the inexhaustible spectacle of the streets themselves, of the majestic and sometimes decrepit palaces, of the hemmed-in squares where much of the social life of the city is conducted, of the sunlit courtyards that suddenly open up at the end of an unpromising passageway. The cultural heritage preserved in the museums and churches is a source of endless fascination, but you should discard your itineraries for a day and just wander - the anonymous parts of Venice reveal as much of the city's essence as the highlighted attractions. Equally indispensible for a full understanding of Venice's way of life and development are expeditions to the northern and southern islands of the lagoon, where the incursions of the tourist industry are on the whole less obtrusive.
Venice's hinterland - the Veneto - is historically and economically one of Italy's most important regions. Its major cities - Padua , Vicenza and Verona - are all covered in the guide, along with many of the smaller towns located between the lagoon and the mountains to the north. Although rock-bottom hotel prices are rare in the affluent Veneto, the cost of accommodation on the mainland is appreciably lower than in Venice itself, and to get the most out of the less accessible sights of the Veneto it's definitely necessary to base yourself for a day or two somewhere other than Venice - perhaps in the northern town of Belluno or in the more central Castelfranco.
回答者：lwj04 - 助理 三级 4-2 12:47
A city of northeast Italy on islets within a lagoon in the Gulf of Venice, a wide inlet of the northern Adriatic Sea. Founded in the 5th century a.d. by refugees fleeing the Lombard invaders who had gained control of the mainland, it became a major maritime power by the 13th century and spread its influence over northern Italy by the 15th century. Its territories were gradually lost to the Turks, and in 1797 it passed to Austria. Venice was ceded to Italy in 1866. Population, 332,775.
威尼斯：意大利东北部的一个城市,位于亚得里亚海北部的一个宽阔的海湾威尼斯湾 里的一个泻湖内的众多小岛上.它在 公元 5世纪由逃离伦巴族侵略者的难民创建,这些侵略者已获得对大陆的控制权,到13世纪它已成为一个主要的海上强国并于15世纪把其影响扩及意大利的北部.它的领土后来逐渐为土耳其人所攻陷,并于1797年转让给了奥地利.威尼斯在1866年并入了意大利.人口332,775