英语翻译I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of

英语翻译I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of
英语翻译
I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of the roots of manufacturing and the backgrounds of how that item came to be born,then it should give you a different picture.I think Japanese items that fit into these modern times will then be created more naturally.
I want to make things in such a way that everyone involved in the item,including the people making it and the people using it,will all be happy.There is an underlying presence of history,skills,craftsmanship,and tools for everything,but it’s naturally quite difficult to sense such things.And if you think about the global environment,now is an era where unnecessary things shouldn’t be produced at all.That’s why as a creator I want to convey such messages,while cherishing the process at the same time.And by sensing such things,I think the feeling of treasuring something will come to the user too.But that doesn’t mean that the background of making things is the sole paramount factor either.After all,the impact of the appearance is crucial,as it won’t even be picked up if it can’t attract people’s attention.Because we live in an era with a lot of products,I want to make things that would make people want to pass it down to others in the future.

英语翻译I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of
我感到当今的设计应当反映本质.如果你对一个日式设计的热情只局限于其表面肤浅的元素,那么它通常变成一个怪异的设计.但如果你对其制造的根本和这个东西是怎么诞生的有更深入的了解,那么它将给你一个不同的画面.我认为日本的这些流行于现代的东西会被创造的更加自然.
我想按这种思路做一些让每个人都能参与的东西,包括制造者和使用者,每个人都将开心.对每件东西的历史,技能,手工艺和工具都存在着根本的展示,但本质来说并不是很容易可以感觉到的.如果你想一下全球环境,在当今的时代,不必要的东西根本不应该被制造出来.这就是作为一个创造者,我想传达的信息,但同时要珍惜过程.通过感觉这些,我认为珍视事物的感觉会同样传递给使用者.但这也并不意味着制作东西的背景变成唯一至关重要的因素.再者,外观的影响很重要,一件不吸引人的东西,人们甚至都不会拿起来.因为我们生活在一个有很多产品的时代,我想做一些东西能让人们愿意保留它把它传到将来.